Tradigital Sneek Peek

I have been working on a ton of tradigital pictures over the last 2 or 3 weeks. I had 145 proofs printed over the weekend and excitedly picked them up this morning. I have picked a handful out to be 20 x 30 photos and about 20 to be 8 x 10 photos.

Tradigital art is where a computer generated image has been formed from a traditional fine art piece as it's base. I used some of my oil paintings and hand carved fine art prints as my foundation image and digitally altered them to make the final piece of work.

I'm really excited about this work and the direction it is taking me in. My influences and inspiration for this work come from art movements from the late 19th Century and early 20th Century.

Here are the sneaky peaks:

These are going to be 20 x 30 prints:

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Encaustic Monoprint Technique

Today I visited a printmaking friend's studio. Amy is experimenting with encaustic monoprints. I have never heard of this before so I was excited to have a demo. Here is the basic process: 1. Heat up the homemade heat box. 2. Rub the beeswax pigment sticks on the metal surface of the heat plate to melt them. Create a design on the plate with one or more colors. Step 3. Lay a piece of rice or rag paper face down on the painted design and cover with newsprint. Burnish. Step 4. Carefully pull the paper away from the heat plate. Steps 5-6. Clean the heat plate with paper towels. Add more color to the heat plate and repeat the process to add patterns or more color to the print. The smell of the wax is yummy and the pigments are really thick and rich to work with. I had a little play to get a feel for what the print is like (image below). Now I want to build a heat box and play!!

Peacock Paintings/prints

I'm working on the peacock paintings at the moment and some relief prints. I am slowly filling in the shapes and colors of the paintings, starting from the top and working down with each color. I'm grouping them with my 8 color reduction cut relief print. Also a feather linocut and painting, both in their early stages. The linocuts below are variation experiments based on the imagery above. It still feels like I am a long way to completion, but hopefully they will pull together fast at the detail stage.

DeMeng Workshop

We made crazy vehicles in Michael DeMeng's workshop. Here are a selection of some of the works in progress: Here we had a critique with Michael discussing everyone's progress. I loved this steampunked up critter! This is the cool studio by the harbor that we worked in for four days, pretty cool view! Later in the day we had a project with Tracy and Teesha Moore with a bunch of artists from different workshops.

Cricketts Inky Art Blot

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