Skip to main content

Moth painting part 1

The last 3 weeks (gosh, am I that slow?!) I have been working on a Nada Dada Moth. I have been cogitating over what I believe Nadist Art is over the last few months. I feel I hit my personal Nada style with the tradigital paintings I made last month, so I started work on making a canvas in this style incorporating a moth and other imagery that I feel are tied to this style I am developing.

I am posting the photos of the work that I took during the last few weeks, to show how the painting developed.

I started with an acrylic under painting to lay out the composition.



I have always used a brown under painting, but this time I went further and painted in a turquoise also in acrylic.







The painting is approximately 3 x 4ft on canvas.




Comments

Popular posts from this blog

Peacock Paintings/prints

I'm working on the peacock paintings at the moment and some relief prints. I am slowly filling in the shapes and colors of the paintings, starting from the top and working down with each color. I'm grouping them with my 8 color reduction cut relief print. Also a feather linocut and painting, both in their early stages. The linocuts below are variation experiments based on the imagery above. It still feels like I am a long way to completion, but hopefully they will pull together fast at the detail stage.

Encaustic Monoprint Technique

Today I visited a printmaking friend's studio. Amy is experimenting with encaustic monoprints. I have never heard of this before so I was excited to have a demo. Here is the basic process: 1. Heat up the homemade heat box. 2. Rub the beeswax pigment sticks on the metal surface of the heat plate to melt them. Create a design on the plate with one or more colors. Step 3. Lay a piece of rice or rag paper face down on the painted design and cover with newsprint. Burnish. Step 4. Carefully pull the paper away from the heat plate. Steps 5-6. Clean the heat plate with paper towels. Add more color to the heat plate and repeat the process to add patterns or more color to the print. The smell of the wax is yummy and the pigments are really thick and rich to work with. I had a little play to get a feel for what the print is like (image below). Now I want to build a heat box and play!!

DeMeng Workshop

We made crazy vehicles in Michael DeMeng's workshop. Here are a selection of some of the works in progress: Here we had a critique with Michael discussing everyone's progress. I loved this steampunked up critter! This is the cool studio by the harbor that we worked in for four days, pretty cool view! Later in the day we had a project with Tracy and Teesha Moore with a bunch of artists from different workshops.