Another minature clock print

I am beginning to wonder why I am making such small little prints. The time and labor that goes into them hardly seems worth it when hardly anyone realizes. I look at it today and think, hmmm, I could have painted that in an hour and made it more detailed. I guess I am just feeling grumpy today.

I printed and carved a little clock print this week and last. I hope to add more layers today. Here is the progress so far:

This is the 4th layer being added (which also means week 4 in drying terms- yes I am grumpy).

Here they are drying with another miniature I am working on in parallel.

Here is layer 5. I rolled the ink onto plate in white, then wiped off where did not want white to show. I am wiping off with my finger and a cloth, so each will be slightly different.

Layer 6 will be printed with the same roll and wipe technique but in grey today.

Looking outside things are starting to green up, despite the sleet we had yesterday.

Comments

A Sort of Artist's Statement

This is a sort of artist's statement, but far more boring and long-winded. My current form of blogging is to limit the text to as little as possible. I am lazy when it comes to writing and the blog tends to trickle off when I feel the pressure of having to add words to the pictures. I hung my exhibition yesterday, so today I will ramble a little about the reasoning behind it (and to help me get over the guilt for hardly writing anything in the last couple of months). Please feel free to skip the words and look at the pictures! For a long time after moving to America, I found it difficult to process who I had become and the new meaning of home. I was English, yet found the American "English" language a challenge. This culture that in many ways was similar to my own, is in other ways completely opposite and confusing. I still often experience a shock by a sudden feeling of otherness and a perhaps a reminiscence for the past, yet I relish the possibility of ne...

Blockprinting

One of my favorite forms of printmaking is relief carved blocks. I generally use soft blocks such as linoleum, for the simple reason that it is easier on my hands. The last time I carved wood I ended up with 3 herniated discs, so I might make wood a special occasion choice! Carving wood can be an almost spiritual awakening of sorts, as the consious mind is on full focus of the task of the hands and the subconsious is resting on the creative nature of the image being formed. Once the block or blocks are carved, inking and printing requires a rhythm of motion that brings a level of peace. Here is a Japanese master printer at work printing, just watching him at work in his studio has me taking deep mediative breaths!

Victorian Influences

My head is buzzing with the Printmaker's Conspiracy's upcoming exhibition title. The exhibition is to be called "Secret's Revealed". I am thinking about Victorian Burlesque figures, peep shows, showgirls, keyholes and movable parts on the print to see through the keyhole. I also have another related thread of thought about fortune tellers, maybe the machine "Zoltar" type or an old gypsy with a crystal ball. I like the idea of printing then folding one of those playground fortune tellers (coolie catchers???). I will start some sketches to see what happens. I am halfway through a drawing that I though might translate well in a solarplate etching.

Cricketts Inky Art Blot

Search This Blog