My Dried-up Studio Pond

My studio is built over a large seasonal pond, almost a lake really. From May to October, it is a beautiful, deep mirror of reflection. By December it is a puddle and the end of February a mud pit. Right now, the mud is baked dry and awaiting the water that fills it in Spring. I anxiously look forward to the water returning at this time of year.

The pond is a constant source of inspiration to me, even today when it is at it's dryest point I find the shadows on the earth attractive. Already, the willow trees are showing a hint of green as everything starts to wake-up for the start of the warmer weather.

Here are a couple of images from the studio today.

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A Sort of Artist's Statement

This is a sort of artist's statement, but far more boring and long-winded. My current form of blogging is to limit the text to as little as possible. I am lazy when it comes to writing and the blog tends to trickle off when I feel the pressure of having to add words to the pictures. I hung my exhibition yesterday, so today I will ramble a little about the reasoning behind it (and to help me get over the guilt for hardly writing anything in the last couple of months). Please feel free to skip the words and look at the pictures! For a long time after moving to America, I found it difficult to process who I had become and the new meaning of home. I was English, yet found the American "English" language a challenge. This culture that in many ways was similar to my own, is in other ways completely opposite and confusing. I still often experience a shock by a sudden feeling of otherness and a perhaps a reminiscence for the past, yet I relish the possibility of ne...

Encaustic Monoprint Technique

Today I visited a printmaking friend's studio. Amy is experimenting with encaustic monoprints. I have never heard of this before so I was excited to have a demo. Here is the basic process: 1. Heat up the homemade heat box. 2. Rub the beeswax pigment sticks on the metal surface of the heat plate to melt them. Create a design on the plate with one or more colors. Step 3. Lay a piece of rice or rag paper face down on the painted design and cover with newsprint. Burnish. Step 4. Carefully pull the paper away from the heat plate. Steps 5-6. Clean the heat plate with paper towels. Add more color to the heat plate and repeat the process to add patterns or more color to the print. The smell of the wax is yummy and the pigments are really thick and rich to work with. I had a little play to get a feel for what the print is like (image below). Now I want to build a heat box and play!!

Longest day

I spent the day at the studio sorting out some piles of mess and racing outside to see if the water to the pond was flowing. The sorting was hard to focus on and the water never arrived. The anticlimax was excruciating! Hopefully the water will arrive tomorrow! This is all that is left from last years fill, the fish and I are very miffed!

Cricketts Inky Art Blot

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