Breaking down the image

Using the method Wendy showed us, we made multiple copies of our image using tracing paper. First we made a master to work with, then as I had a lot of black, I made a copy with the black marked. The rest of the colours were then identified and traced as an individual layer. The image I am using will have around 7 layers.

It is important to make sure that the drawing contains registration marks and trace these carefully on each tracing. The layers are to be printed in the press for this technique, so it was important not to have anything very high or hard to keep the paper registered. We made a tape bumper for our guide which enabled the paper to be pushed up to the same place on the matrix each time and still be soft enough to go through the press.

The matrix used for this project was called Gomuban and is a vinyl type of product that is both thin and flexible, ideal for press use.

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Encaustic Monoprint Technique

Today I visited a printmaking friend's studio. Amy is experimenting with encaustic monoprints. I have never heard of this before so I was excited to have a demo. Here is the basic process: 1. Heat up the homemade heat box. 2. Rub the beeswax pigment sticks on the metal surface of the heat plate to melt them. Create a design on the plate with one or more colors. Step 3. Lay a piece of rice or rag paper face down on the painted design and cover with newsprint. Burnish. Step 4. Carefully pull the paper away from the heat plate. Steps 5-6. Clean the heat plate with paper towels. Add more color to the heat plate and repeat the process to add patterns or more color to the print. The smell of the wax is yummy and the pigments are really thick and rich to work with. I had a little play to get a feel for what the print is like (image below). Now I want to build a heat box and play!!

Blockprinting

One of my favorite forms of printmaking is relief carved blocks. I generally use soft blocks such as linoleum, for the simple reason that it is easier on my hands. The last time I carved wood I ended up with 3 herniated discs, so I might make wood a special occasion choice! Carving wood can be an almost spiritual awakening of sorts, as the consious mind is on full focus of the task of the hands and the subconsious is resting on the creative nature of the image being formed. Once the block or blocks are carved, inking and printing requires a rhythm of motion that brings a level of peace. Here is a Japanese master printer at work printing, just watching him at work in his studio has me taking deep mediative breaths!

Victorian Influences

My head is buzzing with the Printmaker's Conspiracy's upcoming exhibition title. The exhibition is to be called "Secret's Revealed". I am thinking about Victorian Burlesque figures, peep shows, showgirls, keyholes and movable parts on the print to see through the keyhole. I also have another related thread of thought about fortune tellers, maybe the machine "Zoltar" type or an old gypsy with a crystal ball. I like the idea of printing then folding one of those playground fortune tellers (coolie catchers???). I will start some sketches to see what happens. I am halfway through a drawing that I though might translate well in a solarplate etching.

Cricketts Inky Art Blot

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