Reduction Cut Workshop

After working on reduction cuts earlier this year, I thought it would be advantageous for me to enroll onto a 2 day reduction cut workshop held by Wendy Willis at Oxbow Press.

The reduction cut technique is one that I have not heard of before, so I am very interested in the process and what there is to be learned from this technique.

I have been looking at different images that might be suitable for the process, but not having experienced it, it was difficult to choose what would be best. I looked at expanding the story of Lady Penelope, but I think her stories are best narrated in intaglio rather than relief.

I have settled on a peacock image, mostly because the greens of a peacock tail are probably my favourite colour. It is also refreshing to make an image that I am not emotionally connected with to any great extent.

Comments

A Sort of Artist's Statement

This is a sort of artist's statement, but far more boring and long-winded. My current form of blogging is to limit the text to as little as possible. I am lazy when it comes to writing and the blog tends to trickle off when I feel the pressure of having to add words to the pictures. I hung my exhibition yesterday, so today I will ramble a little about the reasoning behind it (and to help me get over the guilt for hardly writing anything in the last couple of months). Please feel free to skip the words and look at the pictures! For a long time after moving to America, I found it difficult to process who I had become and the new meaning of home. I was English, yet found the American "English" language a challenge. This culture that in many ways was similar to my own, is in other ways completely opposite and confusing. I still often experience a shock by a sudden feeling of otherness and a perhaps a reminiscence for the past, yet I relish the possibility of ne...

Blockprinting

One of my favorite forms of printmaking is relief carved blocks. I generally use soft blocks such as linoleum, for the simple reason that it is easier on my hands. The last time I carved wood I ended up with 3 herniated discs, so I might make wood a special occasion choice! Carving wood can be an almost spiritual awakening of sorts, as the consious mind is on full focus of the task of the hands and the subconsious is resting on the creative nature of the image being formed. Once the block or blocks are carved, inking and printing requires a rhythm of motion that brings a level of peace. Here is a Japanese master printer at work printing, just watching him at work in his studio has me taking deep mediative breaths!

Sketches and ATCs

Tuesday Night, I guess I am still in painting mindset. I treated the ink like paint and glazed areas to get the softening I wanted around the edges. As soon as I added oil to the ink something happened. It became so good to play with; rich, oily and sensual. Who knew printing could feel so good? Using a paintbrush, I stroked the glaze onto the edges of the images and rubbed it into the main areas with a cloth. Now I feel much happier with the way it works with the paper. Tuesday afternoon, I worked on the book cover prints again on rag paper. I think I might play with inks to soften the edges of the circles. I find the edge of the blocks too harsh for such soft paper. Stitching might work well too. Hmmm, I should just get on with it as I still have signatures to make and sew for the book. Tuesday Morning I am hosting a steampunk themed ATC swap on March 1st. Here are 4 of my artist trading cards from the "Ticking of the clock" collection. I am planning ...

Cricketts Inky Art Blot

Search This Blog