Colourful Bubbly Texture

I am not certain what this image is exactly, other than colourful and bubbly, but I like it!

I put this together by mixing a fractal image that I created on Photoshop, with a close-up textural photo of the counter in Coral Reef Restaurant in Epcot (I bet you guess that, huh?).

The pond is filling (relatively) fast. Here is the pond early this morning. It was brimming and teetering on the edge for what seemed forever.

An hour or so later it burst through to my yippies and yahoos. Big moment guys!!

Throughout the rest of the day, the water made it's way down to the lower side of the pond and began wrapping its way around the island.

By late afternoon it reached the pump to the fountain (which we hope is fixed after the squirrels munched on the wires earlier this month).

By evening, we all had allergies sufficiently bad to push us into the studio for shelter.

I just took a couple more sneaky peaks to see how it was coming along.

My last look showed the first reflection of the full moon this year in the pond. Happy times! Now where is the Zyrtec?

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Encaustic Monoprint Technique

Today I visited a printmaking friend's studio. Amy is experimenting with encaustic monoprints. I have never heard of this before so I was excited to have a demo. Here is the basic process: 1. Heat up the homemade heat box. 2. Rub the beeswax pigment sticks on the metal surface of the heat plate to melt them. Create a design on the plate with one or more colors. Step 3. Lay a piece of rice or rag paper face down on the painted design and cover with newsprint. Burnish. Step 4. Carefully pull the paper away from the heat plate. Steps 5-6. Clean the heat plate with paper towels. Add more color to the heat plate and repeat the process to add patterns or more color to the print. The smell of the wax is yummy and the pigments are really thick and rich to work with. I had a little play to get a feel for what the print is like (image below). Now I want to build a heat box and play!!

Blockprinting

One of my favorite forms of printmaking is relief carved blocks. I generally use soft blocks such as linoleum, for the simple reason that it is easier on my hands. The last time I carved wood I ended up with 3 herniated discs, so I might make wood a special occasion choice! Carving wood can be an almost spiritual awakening of sorts, as the consious mind is on full focus of the task of the hands and the subconsious is resting on the creative nature of the image being formed. Once the block or blocks are carved, inking and printing requires a rhythm of motion that brings a level of peace. Here is a Japanese master printer at work printing, just watching him at work in his studio has me taking deep mediative breaths!

Victorian Influences

My head is buzzing with the Printmaker's Conspiracy's upcoming exhibition title. The exhibition is to be called "Secret's Revealed". I am thinking about Victorian Burlesque figures, peep shows, showgirls, keyholes and movable parts on the print to see through the keyhole. I also have another related thread of thought about fortune tellers, maybe the machine "Zoltar" type or an old gypsy with a crystal ball. I like the idea of printing then folding one of those playground fortune tellers (coolie catchers???). I will start some sketches to see what happens. I am halfway through a drawing that I though might translate well in a solarplate etching.

Cricketts Inky Art Blot

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