My Grandad used to keep glass fishing floats in a sideboard in his little stone cottage in England. I don't know the story of why he had them, nor what he kept them for. I do know that as a small girl, I used to love holding them and gazing into them like they were crystal balls. The colours of the glass mesmerized me as I held them to the light.
One of my favorite forms of printmaking is relief carved blocks. I generally use soft blocks such as linoleum, for the simple reason that it is easier on my hands. The last time I carved wood I ended up with 3 herniated discs, so I might make wood a special occasion choice! Carving wood can be an almost spiritual awakening of sorts, as the consious mind is on full focus of the task of the hands and the subconsious is resting on the creative nature of the image being formed. Once the block or blocks are carved, inking and printing requires a rhythm of motion that brings a level of peace. Here is a Japanese master printer at work printing, just watching him at work in his studio has me taking deep mediative breaths!
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